The only way to truly test render times from ProRes to MPEG-2 DVD would be to get some sample ProRes footage and try it. ProRes vs. ProRes 422HQ vs DNxHR HQX vs and DNxHR HQ in 4K and DNxHD 220x in FullHD. Each one has a few quality levels. DNxHR 444. Pro Res works better on Mac, DNXHD works better on Windows. Please use Quicktime MOV. Apple ProRes. Convert H. Much like the H. Showdown. 1. v prores_ks -profile:v 0 -vendor ap10 DNxHD. Studio for >=4k mj2 – – yes Kakadu. Wed Jan 29, 2014 5:23 pm. I just use a drive dock, get the plastic drive boxes, and use 500GB or 1TB raw drives. Re: transcode vs optimize media UHD H. Some Company's have a deal with Apple, and so you can encode ProRes on a Windows Workstation. Participant , Nov 13, 2012. Netflix | Partner Help Center Screenings and Reviews @ Netflix Facilities Asset Delivery Specs Print ProRes & DNxHD Files - Screenings & Reviews The below asset delivery specs are intended for non-critical screenings and reviews in Theaters, Screening Rooms, and Screening Lounges at internal Netflix facilities. The 30i versions would be DNxHD 220 and 145. h. That used to certainly be true, but nowadays both codecs work very smoothly on all modern editors (including Premiere Pro and Resolve). Generally, video editing applications can work more nimbly with such media, and it can sometimes help to coerce esoteric source media from odd formats, or troublesome. Almost looks like Resolve doesn't convert from DNxHR to Prores optimally! On the other hand, what's going on behind must be much more complicated than that: have just rendered color output (in the "User" render cache mode) of the same clip I tested before (with TNR node set to auto-render, and cache mode to Auto): full 50 fps playback of. This is where the points I was making about delivery come into play. ProRes 4K, 2K, ProRe s RAW √ Avid DNxHD MXF OP-1A All Avid DNxHD codecs HD √ √ ARRIRAW All Avid DNxHD codecs √ AVCHD Canon AVCHD JVC AVCHD Panasonic AVCHD (AVCCAM) Sony AVCHD (NXCAM) MTS H. Welcher Codec ist der besser, DNxHR oder ProRes?! Stößt DNxHR ProRes vom Thron? [DNxHR vs ProRes] Ich werde in jüngster Zeit immer öfter gefragt: Welcher is. 25 the possible DNxHD codecs are: 120, 185, 185X. This is only available on the Mac version of Media Composer. Of course, it took 6x longer to encode!Mezzanine codecs are post-production formats, such as the Apple ProRes, Avid DNxHD/R, and GoPro Cineform codec families. DNxHD data is typically stored in an MXF container, although it can also be stored in a QuickTime container. I recently g. Studio for >=4k mj2 – – yes Kakadu. File sizes are considerably larger with ProRes or DNxHD but I’ll take a larger video file size that I can easily work with over a. . Avid DNxHD. For the best image quality, I recommend using ProRes RAW HQ. Broadcasters and postproduction facilities generally standardize on mezzanine formats. ProRes 422. ProRes 1080 is around 115Mbps. A codec is a specific schema for encoding video or audio data. I recently g. 444 + small compression ratio difference. Meaning that all frames are complete data-sets for that frame. It appears that ProRes files exported Same-as-source from Avid behave differently than DNxHD exports in a couple of cases. DNxHD usually uses the bitrate as the flavor name, DNxHD 36, DNxHD 175, etc. Then, when you’re done, you relink the. mov; Lossy. The bitrates, workflow and 10bit color depth seem to be the same. My new favourite codec is GoPro Cineform, because of it’s performance in the actual version of Premiere Pro. Change the Sequence Settings to one of the following codecs for rendering preview files: ProRes, DNxHD/HR, or GoPro Cineform. Apple ProRes is built in to the NINJA V and offers three levels of compression (HQ, 422 & LT). Long answer: Hardware manufacturers (cams, dvrs, atomos, gopro, etc) still encode their captures with these codecs, and we need them for compatibility of workflow projects. An exception is smart rendering. 26x and MPEG standards, the ProRes family of. Apple ProRes vs. 14. There are a total of six ProRes formats. In theory, that would mean export to a perceptually (even though technically not) uncompressed format like Apple ProRes or DNxHD as you suggested. Cineform, DNxHD/HR, and ProRes are all cross platform, visually lossless, professional quality "mezzanine" (some editors refer to them as "intermediate") codecs. 94 and 480i50, only provides 8-bit color. 26x and MPEG standards, the ProRes family of codecs use. Key Features. PRO RES VS DNxHD. However, I wouldn't use it for an intermediate if quality matters. CINEMA DNG: 2400x1350 (after debayering) Bayer pattern data. 264, which requires rather more CPU decoding. Nothing wrong with it, just that the computer will have to work harder to decode H264 than if it was cineform/prores/dnxhd. ProRes 4444's color depth is 12 bit, unlike 10bit DPX. DNxHR and ProRes are comparable in quality at the same bitrate. - Carsten. easyDCP(3) RGB and YUV422 JPEG2000 video mov, mxf Op1A, mxf Op-Atom – – yes Native, Kakadu RGB, YUV422 and YUV444 (8-bit, 10-bit, 12-bit each). You can select Apple ProRes when exporting as MOV or MXF OP1a. These formats are referred to as intraframe formats, not interframe formats. h264 is fine for normal playback, but in h264 compression the frames are compressed in groups instead of individually, which makes frame-accurate editing pretty difficult. ProRes and DNxHD/R are codecs. Usually using a MXF or QuickTime MOV container. Depth: Trillions of Colors+. Alpha: Uncompressed. Community guidelines. HD material proxys at DNxHD 36 should be equivalent to DNxHR LB (Low Bandwidth. Video Codecs & Compression Guide (Feat. Cineform is an excellent alternative, but a bit slower on Macs. In simple words, Apple ProRes codec is designed for post-production while H. Exporting out of one generation (camera originals) of H. YUV 4:4:4 10-bits: -pix_fmt yuv444p10 -c:v dnxhd -profile:v dnxhr_444 dnxhr-yuv444p10. Hollywood, California 90038 USA. 265) compression codecs in Ninja V recorder - looking for compression artefacts that may appear when gra. There is no way of defining what am I. MXF OP-Atom mxf Apple ProRes Yes – Yes – Yes – MXF OP-Atom mxf DNxHD 1080i 100 8 bit Yes Yes Yes Yes Yes Yes 1 With watermark without easyDCP license. 264 SDI 4:2:2 10-Bit. Apple ProRes. Follow; Report; More. First, while you can AMA/Import the footage okay and edit okay; you can't export at all. Click the "Format" bar and move mouse cursor to "Editing Software" and select "Avid DNxHD 1080p (*. As opposed to say the long-GOP (group of pictures) format. • 720p/50 N/A, 175x, 175, 115, N/A. Pro Filmmaker Apps is a curated database that can help you get a job done a little better or a little faster. VBR and many claim that VBR is always better, since it distributes bitrate among frames. Short Answer: YES, we still need them and will continue to for a while. The HR codecs just remove the number and the HD limitation. A codec is a specific schema for encoding video or audio data. Containers have file extension like . Angka belakang menunjukkan transfer rate (DNxHD 220 artinya memiliki transfer rate 220 Mbps). 1, MacOS 12. For each there is a standard and a. • Apple ProRes 4444 • Apple ProRes 4444 XQ • Apple ProRes 422 HQ • Apple ProRes 422 • Apple ProRes 422 LT • Apple ProRes 422 Proxy • Avid DNxHD (1080p and 720p 1920x1080 and 1280x720, 4:4:4:4 and 4:2:2) 36, 115, 120, 145, 175, 185, 220, 220x. Calculate the disk space taken up by over 75 codecs including ProRes, Animation, ARRIRAW, DNxHD, XDCAM and DPX. Click "Browse" button to specify a destination folder to save the converted video file. ago. 1) Yes, there is the same shift, both on log or color managed images. On the ProRes side everything from ProRes Proxy to ProRes HQ is 10-bit. Well, bandwidth wise, the Proxy form of ProRes or dnxHR LB (low bandwidth) is going to be the best choice. Community guidelines. ProRes HQ QuickTime, ProRes 422 QuickTime, ProRes LT QuickTime, ProRes Proxy QuickTime for all formats up to 4320p60. Click to open the Video encoder drop-down list and select your wanted ProRes type: ProRes 422 HQ, ProRes 422, ProRes 422 LT, ProRes 422 Proxy, ProRes 4444 XQ, and ProRes 4444. The bitrates, workflow and 10bit color depth seem to be the same. 264. Codec ini adalah codec standar editing di lingkungan Avid Media Composer. Being well-versed in video codecs is essential for remote video editors to ensure optimal video quality, compatibility, and efficient file transfer. atomos. Making proxies in Premiere – in this case the ProRes Medium preset creates a 720p file with the ProRes 422 Proxy codec. On the other hand, you have to use prores 4444 if you want an embedded alpha channel, which is supported in every DNx flavor. DNxHD is definitely more CPU friendly on my laptop. New Atomos Ninja / Ninja Ultra. With the 2. If it's not 10 bit, then you're totally fine with DNxHR SQ. Translate. I asked a similar question in the Arri section since the film was shot in the Alexa Mini LF. The Ninja V and other current Atomos monitor-recorders can record this as 10-bit 422 Log or Rec. As rec. ProRes 4444 uses 4:4:4 color sampling to encode RGB log film scans, and a higher bit rate (less compression) than the ProRes 422 codecs. prores can be read an all platforms by most applications, but resolve on windows isn't able to write it. DaVinci Resolve on Windows works perfectly with ProRes files. It has a target data rate of approximately. Since our footage is 8-bit to start. You can change it to another one in the Parameter settings. Quote. A simple, straightforward comparison between all of the different codecs and file types available with the Atomos Ninja V, on the original Sony A7S. MOV is also a container and can hold a ton of different codecs. . 97 fps. With the older version of FFmpeg from 19. DNxHR is an edit codec (like ProRes). 它是 Apple Intermediate Codec 的后继产品，于2007年与 Final Cut Studio 2 一起推出。. Take a compact broadcast-quality record/playback deck with you. We ask for ProRes Proxy 1920X1080. I believe its PC vs MAC issue like ProRes vs DNxHD/GoPro Cineform. VincibleAndy • 7 yr. Daniel2 is different. These codecs are designed to retain the image quality and details from your source footage but optimized for better playback. A quick comparison between each of the 4k codecs offered on the Atomos Ninja V. 264). Quality: 100. I knew that at some lower bitrate, H. If we receive something different than that we use media encoder to format it to ProRes Proxy 1920X1080. So for example if you were to decode prores raw to some colorspace that either clamps some values or produces values above 1. DaVinci Resolve 15 BETA Supported Formats and Codecs 2. Ensure your audio tracks are properly configured for your screening. As a consequence, I've discovered that the Miraizon DNxHD and ProRes codecs for Windows only decode to 8-bit (and yet bizarrely. Apple recently announced that its new iPhone 13 Pro and Pro Max could record in the ProRes format. The lens is still wide but you can crop the image in the menu giving you less barrel distortion. I'll also believe that going from 12 to 10 bits may be the reason of the shifting. ago. Quality and Performance When it comes to quality, both ProRes and DNxHD deliver impressive results. Apple ProRes is a high quality, "visually lossless" lossy video compression format developed by Apple Inc. Location: 1146 North Las Palmas Ave. Yes, ProRes 422 is vastly better than any H. n Apple ProRes RAW is not yet supported n Export of Apple ProRes SD. I'm not saying that Adobe pays Apple the license so it can add native support to export in ProRes, but they could maintain support for plugins at least. Practically, there's some issues with DNx out of Resolve being interpreted in the correct color space in Premiere, but unless you're roundtripping with Premiere, that's not really a concern. For web-based work, Prores LT/DNxHD LB is more than adequate. DNxHD data is typically stored in an MXF container, although it can also be stored in a QuickTime container. Cineform is also a high-quality intraframe codec like ProRes and DNxHD/R. Codec differences DNxHR and ProRes was optimized to be visually lossless through many generations of decoding and re-encoding. Apple ProRes 4444 is a high-quality solution for storing and exchanging motion graphics and composites, lossless alpha channel up to 16 bits. 此格式是基于DCT标量的 帧内编码器，其中每一帧都独立存储，可在不依赖于其他帧的情况下进行解码。 因此比诸如H. DNxHR uses the same bitrate levels (at 1080p) as DNxHD but because. This is a one-time activation for the life of the product. The only thing you can't do is render a new ProRes file. 26x and MPEG standards, the ProRes family of codecs use. If you’re exporting for say a live concert with LED screens, the difference will be noticeable, eg colour gradients will. I have already read a previous thread already (ProRes vs DVxHD), in which some of you indicate that the details and color rendition seems to be better in ProRes. ProRes Proxy is especially bad. We’re making this change to improve playback and export times when working with rendered preview files. . Both ProRes and DNxHD are intermediate codecs, meaning they’re designed with editing in mind, they’re less. Cineform is also a high-quality intraframe codec like ProRes and DNxHD/R. When looking at quality, there is no visible difference between dnxhd and cineform. Prores RAW will get you the most flexibility in the edit for coloring if your system can handle it - you need the plugin from Apple. 709 is very important, it would be interesting if you could compare DNxHD with ProRes. These codecs are designed to retain the image quality and details from your source footage but optimized for better playback. Pro res is similar to the old lossless hufyuv. ProRes: Apple ProRes 422 HQ QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime, ProRes 422 Proxy QuickTime DNxHD: DNxHD 220x, DNxHD 220x MXF, DNxHD 145, DNxHD 145 MXF, DNxHD 45, DNxHD 45 MXF for 720p and 1080p HD formats up to 60 fps H. Last edited by Truthler; 21st Dec 2020 at 12:52 . 264s for YouTube. Any difference between is mostly negiligible. Media Composer support for ProRes does not require QuickTime. Avid DNxHD vs. ) OPinguimVoador. Chances are, all three can end up having a higher bitrate than your original. Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. If you use ProRes 422, DNX145 is the same (except 422 supports 10 bit). Source is a test file prepared to evaluate quality of DCP systems. Description. after setting blender to 1440 x 1080 fields bff and the bitrate to 110 000 fps 29. Avid DNxHD vs ProRes for Vegas Editors. An important difference, however, is that some of the major editing and finishing systems available lacks. But I just can't wrap my head around why Avid decided to limit the DNxHR codec options for proxy encoding and giving you four flavors of ProRes at the same time. 6. Choose a proper pixel format using the format filter. 3. Cineform is also a high-quality intraframe codec like ProRes and DNxHD/R. H264 vs DNxHD conversion. Avid is more for Broadcast quality, which blends interlaced fields and blurs them together, which, in turn gives a more “analog” feel to the green screen and motion (it. 264 for possible quality though much bigger in file size. Quality vs. On February 13, 2008, Avid reported that DNxHD was approved as compliant with the SMPTE VC-3. 264 or an mpeg based codec. Resolve should have native DNxHD handling (specially in MXF), which will be 64bit. Next, click on the button “Format Options”. Adds support for multi-pass HEVC 4:2:2 encoding. I've personally always wondered if there was actually any difference between these two codecs. This is normally set to yuv422p10le or something like that, but if you want to use the 4444 prores you would set it to yuva444p10le. The format in which you are smart rendering determines the option to smart render in these special cases. A quick test of the old (ProRes and DnxHR) vs new (H. In this video I compare the apple prores and DNxHD codecs on my Atomos Shogun recorder. [1] Much like the H. Guys I am thinking about moving over to media composer, my main objection to continuing to. Reply. A codec is a specific schema for encoding video or audio data. Download and info for Video Space Calculator. The chroma and luma are the factors that affect the green screen quality. Author; Message; Steve DiMaggio. I have encountered a couple of issues with ProRes files that are specifically PC related. easyDCP(3) RGB & YUV422 JPEG2000 video mov, mxf Op1A, mxf Op‑Atom – for IMFs Yes Native, Kakadu RGB, YUV422 and YUV444 (8 ‑bit, 10 bit, 12 bit. PRO RES VS DNxHD. ProRes and DNx Target Data Rates. Meaning that all frames are complete data-sets for that frame. In terms of the GH5, it means that: the 1080p 10-bit 422 200Mbps ALL-I mode is likely to be roughly equivalent to 1080p Prores HQ which is 176Mbps. Cineform, DNxHD/HR, and ProRes are all cross platform, visually lossless, high quality, professional "mezzanine" (some editors refer to them as "intermediate") codecs. *. On February 13, 2008, Avid reported that DNxHD was approved as compliant with the SMPTE VC-3. Advantages, encoding, decoding, settings, and even the way to convert such files. 366 subscribers in the Atomos community. Great image quality, with file sizes 30-35% smaller than ProRes 422 HQ. Playback only of ProRes 4444 QuickTime up to 2160p60 with auto routing of fill and key over SDI A and B outputs. In most cases Quicktime is a bad idea on Windows machines, except GoPro Cineform. Follow; Report; More. I do have an unrelated question though - I am very interrested in purchasing a GoPro 3 Black edition - we actually sold our GoPro Hero2 just the other. This codec is very useful as a final deliverable or even if you need to share a project. 265. In addition, Apple will provide 64-bit decoders for DNxHR and DNxHD codecs within the Pro Video Formats package that is available from Apple as a. In Premiere 23. Translate. The benefits of transcoding into a format like ProRes is that you’ve got a less-compressed file that the computer can more easily work with, than say H. It is a fixed bit rate codec, with each variant having a locked multiplier based on resolution and. Yes, the bitrates are higher for ProRes but that is because of the type of codec instructions in use, which are less processor intensive than H. See Avid DNxHD Notes for more information. 摘要. CINEMA DNG: 2400x1350 (after. Ensure your audio tracks are properly. Specifically good with AVCHD to Dnxhd or Prores. Posts: 357; Joined: Tue Aug 06, 2013 1:29 pm; PRO RES VS DNxHD. But on to the M3 MacBook Pro. Trade your iPhone in for one that shoots ProRes. Colour sampled at 4:2:2 minimum. These profiles. And while it has some level of support outside of Adobe applications, it is not as universally recognized as ProRes or DNxHD. Hello, we have an issue on the Premiere cc 2018 and Media Encoder. DNxHD allows 8-bit. I manage a studio and the newer kids we hire coming out of college with digital video degrees and were never taught what proxies are and why you should be use them. Unless you guys are archiving on CD-ROMs or something. Includes a 5" monitor, 6G-SDI and HDMI connections, ProRes and DNxHD file formats, histogram. Reply. Quality: 100. It has a target data rate of 102 Mbps. Quote. This means that the lower bitrate DNxHD/HR files might not have adequate bit depth for high quality deliveries. 264, it is hard to judge which one is better as each of them can be used as the best video codec under certain circumstances. ProRes 444 is 12-bit. While there's no Bayer sharpening or denoising options in this workflow vs ACR or Resolve 10, I am impressed with the quality and time to process files directly to ProRes HQ (tested so far on my MBP laptop- will work well for on set processing). ProRes 422 and DNxHD definitely reduced the file size, but still too large. Apr 19, 2018. 264 HD √ √ √ AVC-INTRA Panasonic P2 AVC-Intra 50 MXF OP-1A AVC-Intra 50 HD √ √ √I am seeing different black levels based on my output codec (ProRes vs DNxHD). Note that not all of these formats are actually supported with prores). And in the Adobe World, you'll always output using the full quality material. I create Apple ProRes 422 Proxies (all same settings except. Avid DNx requires free activation via my. Nils Welter Media Express MJPEG vs DNxHD/ProRes bitrates? So I've pretty much given up trying to troubleshoot why I'm getting crackling audio when capturing DNxHD with a Intensity Shuttle thru Resolve (w/ 6 ch. Today we check out if their is really a difference between ProRes HQ and DNxHQX in a H. Note that not all of these formats are actually supported with prores). A quick comparison between each of the 4k codecs offered on the Atomos Ninja V. Re: Cineform or DNxHD intermediates for editing in Resolve 1. You could check out the files in Media Info to see the audio specs, or pull both. MXF should work as that is also SONY. DNxHD. I believe its PC vs MAC issue like ProRes vs DNxHD/GoPro Cineform. ago. Video Codec: Apple ProRes 422 Proxy. As far as the gamma issue, I’ve not seen it within files encoded by Premiere or Redcine; color fidelity was maintained throughout the workflow. Sat Apr 30, 2022 3:52 pm. Today I wanted to take a practical look at video codecs for storage and archiving types of footage. At 5 minutes 31 second, IQ compared 4K vs 6. 94 fields/sec) for NTSC, or 25i (aka 25fps/50fields) for PAL. ProRes is an excellent codec for editing and finishing. ago. " From the wikipedia listing of DNxHD/DNxHR codecs. Sat May 12, 2018 9:02 pm. Reply. With ProRes the. With 1080p DNxHD Taskmanager says that I'm right around 34% CPU usage. Let's say my original footage is H264. On top of this alpha channel in DNxHR is uncompressed, where in ProRes it's mathematically lossless compression,. Please use Quicktime MOV. I know in the past ProRes sucked because it - 9759274. . Dnx is the way to go. ProRes performance in Resolve? Sun Jul 05, 2015 4:39 pm. I’ve tried switching colorspaces from 8 to 16 to 32 bit, but I can’t seem to get a consistent black on my outputs. It is especially useful for PC users and is overall a great codec. Neil. ProRes422 (HQ) 25 fps. ProRes 422 HQ: is a higher-data-rate version of Apple ProRes 422 that remains visual quality as same high as Apple ProRes 4444 but at. With 1080p DNxHD Taskmanager says that I'm right around 34% CPU usage. Terence Curren of Burbank, CA based Alpha Dogs aptly pointed out a flaw in that I was comparing an 8-bit format to ProRes HQ and GoPro Cineform which are 10-bit formats. Cineform, DNxHD/HR, and ProRes are all cross platform, visually lossless, professional quality "mezzanine" (some editors refer to them as "intermediate") codecs. Fixes an issue where exporting ProRes RAW to H. BMD already acknowledges this as the proxy settings in. Most often I shoot ProRes HQ. This requires to manually change these options, which I guess you cannot do - 4590400 Aug 19, 2022. Remember, you'll switch to the main material for finishing. • 5 yr. So more frames in the picture equates to a higher data rate. If you have a properly tuned post production workflow then the amount of times you'll recompress an intermediate video is zero or once; the most common case is recompressing assets like. This tool is intended to give an indication of the amount of space a given video format will take up on disk. VincibleAndy • 7 yr. I have left Prores and DNxHD behind as mastering / intermediary codecs. Native IMF, IMP, Apple ProRes formats, HT‑J2K, Kakadu jpeg2000 formats (including Dolby P3D65) Apple ProRes formats, Kakadu jpeg2000 formats, Studio for >=4k/Dolby P3D65/HT‑J2K. These formats are intraframe formats, not interframe formats. for use in post-production that supports video resolution up to 8K. AJA KONA 10-bit Log RGB 720 AJA KONA 10-bit Log RGB. Second, AMA/Importing ProRes at matched frame rate works great. DNxHD is better for low end hardware. DNxHD Files exported from AVID in Mov Container are not recognised anymore. 映像コーデックのProResやDNxHRとは何か. The file format used by Prores is Apple Quicktime. Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Wed Jan 29, 2014 5:23 pm. ProRes vs H. Typically I use the following codecs - h. NB: As long as a footage doesn't contain superwhites, encoding to DNxHD 4:2:2 with Color Levels set to '709' may yield even better result than encoding to DNxHD 4:4:4. 264 with a high bitrate? In theory the compression capability, even if is intra-frame only, is better with H. The actual space taken up may differ slightly due to embedded audio, differing frame sizes and aspect ratios, and inter-frame compression / pulldown. Width: 1920. Prores works better on a Mac. In the current version of Resolve for Windows, is speed/performance using the above ProRes levels similar to the DNxHD & DNxHR counterparts? Or, if performance is significantly better working with DNxHD. 15. Avid DNxHD/HR を撮影する場合は、カメラはそのフォーマットを、Codec メニューで選択された解像度 (2K または 4K) に拡大/縮小します。 ビューフィールドは Avid DNxHD/HR 内に維持されますが画像の切り取りは行われません。ProRes, as is DNxHD/R, is a traditional post codec, which is relatively light on CPU and very efficient in processing terms, as opposed to H. DeckLink Quad HDMI Recorder is a high performance PCIe card that lets you capture from 4 different HDMI sources in any combination of SD, HD, Ultra HD, 4K and even computer formats, all at the same time! Featuring 4 independent HDMI 2. Report. Either way, these AudioSport tools are similar to ffWorks, described earlier in that they are graphic User Interface apps that use the free FFmpeg libraries to do the actual. For lossless source videos, the Apple ProRes is a good choice. Second, AMA/Importing ProRes at matched frame rate works great. 264 is a delivery codec, meaning it’s designed for the end user to watch stuff with, rather than to be edited with, it’s highly compressed and compressed in ways that make it hard for NLEs to use it. DaVinci Resolve is very capable even for free, but you need the right hardware! Studio 18. Another Windows alternative to DNx and ProRes is Cineform, which comes in both 10-bit and 16-bit variants. Quote. DNx has ranging issues when working outside of Avid, often being interpreted as full range, even if legal. DNxHD145 is similar to ProRes, DNxHD100 is similar to ProResLT, and DNxHD36 is similar to ProResProxy. It all depends on your hardware. Refer to Valid DNxHD parameters above for accepted values. Removing the Quicktime7 plugin is simply. It has a high bit-rate, which means it retains excellent image resolution. If you use the FFmpeg version that came with your latest version of OBS, the encoder will drop frames even though it’s using the correct CPU usage. Now a Panasonic GH4 with Atomos Ninja Assasin recorder will join the mix. DeCrescenzo wrote: My BMPC-4K camera records ProRes HD/UHD (HQ, 422, LT, Proxy) and RAW 4000 x 2160.